The New York Times calls Jahdan “controlled and entrancing,” leaves them wanting more

Posted in Uncategorized on June 17, 2009 by modibanyc

In the New York Times’ review of Major Lazer at S.O.B’s, writer Jon Caramanica mentions a number of Modiba’s friends, including D.J./rupture and Jahdan Blakkamoore.  Of Jahdan’s single song guest spot at the show, he says, “Jah Dan was controlled and entrancing on ‘Cash Flow,’ one of the token roots reggae songs on the Major Lazer album, and one of its best.”   We’re not sure Mr. Caramanica is fully on-board with the Diplo and Switch side project that is Major Lazer…. but he sure loved our boys!!  Full text is here. And to check out the rest of the Major Lazer project, which we love, check it out here and be sure to cop Jahdan’s ‘Cash Flow’ on iTunes!

Jahdan Blakkamoore’s “Buzzrock Warrior” to be released on Gold Dust Media

Posted in Uncategorized on June 5, 2009 by modibanyc

Biggup!! Our crew over at Dutty Artz just inked a deal with Gold Dust Media for the release of Jahdan Blakkamoore’s debut album “Buzzrock Warrior.”  It will hit on the airwaves…and drop jaws…worldwide very soon…
Check the whole story here.

Kouyate-Neerman Selected to Perform at Womex 2009

Posted in Uncategorized on May 29, 2009 by modibanyc

Congrats to Modiba Publishing artists Kouyaté – Neerman, who were selected to perform at WOMEX 2009 (World Music Expo) which will take place in October in Copenhagen.

NME offers free Cougar download today

Posted in Uncategorized on May 26, 2009 by modibanyc

Freshly signed to UK label Ninja Tune, NME starts spreading the word on the upcoming album ‘Patriot’ from our very own emergency rockers.  Check it.

New Cougar EPK for the upcoming album on NINJA TUNE

Posted in Uncategorized on May 20, 2009 by modibanyc

House of Waters… Check out their new vid

Posted in Uncategorized on May 7, 2009 by modibanyc

New Music Video – Melissa Laveaux “Needle In The Hay”

Posted in Uncategorized on April 22, 2009 by modibanyc

check out Modiba Publishing artist Melissa Laveaux’s terrific and unique rendition of Elliot Smith’s “Needle In the Hay” here: http://www.youtube.com/watch?v=-bgtlP_16b0

Chicago Afrobeat Project Wins “Best African Artist” in 2008 Chicago Music Awards

Posted in Uncategorized on January 27, 2009 by modibanyc

Congrats to our slammin Afrobeaters from the mid-West.. no small honor to be crowned kings of afro rhythms in the Chi Town! Fela would be proud!

Our dub-king Andrew “Moon” Bain’s star Turbulence in FADER

Posted in Uncategorized on January 18, 2009 by modibanyc

http://www.thefader.com/articles/2008/8/27/freeload-turbulence-gone-with-the-wind

Big up to Digital Ancient!! This guy just keeps dropping gems…

Chicago Afrobeat: Off the Grid

Posted in Uncategorized on January 16, 2009 by modibanyc

“The group’s songs are musical snowballs, opening as minimalist skeletons – a buoyant bass line or a lone, repeated guitar chord – before picking up keyboards, horns and various percussive elements. Gathering momentum, the songs thunder to a hip-shaking climax.”
- Chicago Tribune

As the world’s cultural and political climate evolves, so does its music.  Rooted in the turbulence of social change, afrobeat coalesced decades ago from a fiery political landscape of Nigeria in the ‘60s and ‘70s.  Now, with the polarized state of society since the turn of the millennium, afrobeat again grips the world – this time, the American musical climate. Chicago Afrobeat Project, emerging in 2002 from an industrial, urban Chicago art community, has established itself as leaders in the non-traditionalist side of the afrobeat movement.  The 7-14 person ensemble energizes the classic afrobeat influences of juju, highlife, American funk, and afro-Cuban music with a formative infusion of experimental jazz and rock elements that thrive in the Chicago music scene.  Inherent in the group’s sound is an expression of world cultural unity and social awareness within a medium of music, dance and
rebellious celebration.

Afrobeat’s range of influences sit in a restless state of hypnotic, dance-compelling energy at times juxtaposed against a left-leaning poignant political message.  The CAbP formula injects unique songwriting and solo experimentation to push the group’s sound forward both at their live performances and on studio recordings.  The individual players, coming from diverse backgrounds, each hold their own as soloists to add uniquely musically informed characteristics to the performances.

Melodic and hard-hitting horn lines create a lyrical flow delivered by a cutting, driven rhythm section dynamic.  The group disperses complex call-and-response percussion songs throughout the shows.  African dancers from Chicago’s Muntu Dance Theatre accompany the band at select performances.  Combine these organic musical and visual elements together, and the overall presentation contributes further to the impact and originality of the band’s music.